Chapel Choir
Founded in 1932, the Duke University Chapel Choir is the oldest established music ensemble at Duke University. The Chapel Choir leads the music in worship services at Duke Chapel on Sunday mornings, during Holy Week, and at other times during the academic year, singing anthems, hymns, psalms, and liturgical music.
The Chapel Choir has toured extensively throughout the United States, the United Kingdom, China, Ireland, Turkey, and continental Europe. Performance venues have included Carnegie Hall, the Cathedral of St. John the Divine, Washington National Cathedral, the Thomaskirche, St. Martin-in-the-Fields, and St. Giles’ Cathedral.
The Chapel Choir regularly commissions and performs new works, many of which are published in the Music from Duke Chapel series with Morning Music/ECS Publishing. The choir’s critically acclaimed performances of Handel’s Messiah have been an annual Advent tradition at Duke since 1933; its spring oratorio concerts feature other major works with orchestra. Recent spring concerts have included:
- Bach: St. Matthew PassionAlt Text:The Duke Chapel Choir sings Handel's MessiahTitle Text:The Duke Chapel Choir sings Handel's Messiah
- Duruflé: Requiem
- Haydn: “Lord Nelson” Mass
- Lauridsen: Lux Æterna
- MacMillan: St. Luke Passion
- Mendelssohn: Elijah
- Mozart: Requiem
- Vaughan Williams: Dona nobis pacem
Formed in 1995, the Schola Cantorum is a flexible chamber choir comprising staff singers and volunteers auditioned from within the larger Chapel Choir. The Schola sings in worship services and concerts, performing repertoire appropriate for chamber ensembles. Recent performances have included Bach’s Nun komm, der Heiden Heiland (BWV 61); Mary Lou Williams’ Black Christ of the Andes (St. Martin de Porres); and a program of Black spirituals and German chorales performed for the Society for Christian Scholarship in Music.
The Chapel Choir and Schola Cantorum are led by Dr. Zebulon Highben, director of Chapel Music.