Preaching in Time and Place

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Preaching is contextual. It responds to time and place – even when a preacher attempts to do otherwise. The archive allows preachers to search for sermons preached after specific historical events or watch how Duke Chapel preaching has changed over decades. Interdisciplinary teams of Duke students and faculty share their research on how sermons shape, and are shaped by, their moments in history.

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 Preaching and Protest    |    Duke Chapel Sermons in the Civil Rights Era

In the summer of 2018, a team of undergraduate and graduate students investigated the relationship between Sunday morning preaching with public protest and social change between February 1, 1960 (the Greensboro, NC lunch counter sit in) and July 2, 1964 (the passage of the Civil Rights Act). This project was a part of the Story+ and Bass Connections  programs under the Franklin Humanities Institute at Duke University.

2018 Story+ project website

 My Voice My Body  |  Minoritized Bodies in the Duke Chapel Pulpit


The 2019 Story+ project and the 2019-2020 Bass Connections team interrogated the intersections of body, place, and performance in the space of Duke Chapel. The students explored how the presence of women and other people whose bodies departed from the dominant figure at the pulpit influenced the sermon in the space. This project was a part of Story+ and Bass Connections, under the Franklin Humanities Institute at Duke University.

2019 Story+ project website 
Duke Today article on project


Reflections from a Student Preacher

I recalled that people of color were barred from this space until just a few years before my parents were born--the not-distant past. I recalled how few women and queer and trans people’s voices were allowed to fill this space. I recalled how the voices of these prophets and poets and preachers were mighty, mighty echoes in the archive, astonishing me with their courage and hope in the face of violence and pain.

Liddy Grantland '20, reflecting on her experience working on the #MyVoiceMyBody project and preaching at Duke Chapel as the 2020 student preacher.

Read the full reflection by Liddy Grantland

Women Preaching in the South

Ami Wong, a student researcher with the #MyVoiceMyBody project, sits down with Jeanette Stokes, the executive director of the Resource Center for Women and Ministry in the South. Stokes shares her experience of preaching at Duke Chapel when few women were invited to that pulpit.

Playlist: A Year of Listening to Women (Preview)

The Ways Women Preach   |   Conversation with Leonora Tubbs Tisdale 

Nora Tubbs Tisdale served as the Clement-Muehl Professor of Homiletics at Yale Divinity School from 2006-2018. Her recently released book, How Women Transform Preaching (Abingdon, 2021), revises her 2019 Lyman Beecher Lectures on Preaching for those in pastoral leadership.

Her lectures included conversations with the following women in the Duke Chapel digital archive:

Watch an interview with Tisdale about why women's voices a the pulpit matters, followed by discussion questions on sermons by these three women. 


A Sampling of African American Preachers   |  in the Duke Chapel Pulpit

One thing I enjoy is that -- from Howard Thurman to Martin Luther King Sr., from Peter Gomes to Cynthia Hale -- this archive exemplifies that black preaching is not monolithic. One can't essentialize blackness or black religion or black Christianity. There is great diversity and variety within the so-called black church preaching traditions.... Underneath this is an implicit cultural pedagogy to hear these different voices, including more and more black women voices."

-- Dean Luke Powery in interview for Duke Today in 2013. Read the full article


When I was a Stranger  |  Immigration, Preaching, & Religious Imagination (forthcoming)

The research team examines maps drawn by migrants who tell a different narrative

The 2020-21 Bass Connections project explores how sermons at Duke Chapel have addressed important questions of hospitality and public policy in a religious tradition that sees God as “the other” and Jesus as the "stranger." 

2020-21 Bass Connections project website